Saturday, June 18, 2011

Monoprint Reflection landscapes with Gregory Kondos



DISCUSSION:
Landscapes from a new perspective
Artist and the artwork: Sacramento River, 1981 Crocker Art Museum, Sacramento, CA
Washes
graded washes
centered horizon lines
reflective water
monochromatic
value
Mono prints

Artist: Gregory Kondos
1923-
Painter Gregory Kondos executes thickly painted landscapes known for their buttery spread of bright, warm color. Even the cool tones of the color blue in a Kondos painting are heated, evoking sun-warmed expanses of summer sky and waters. Perhaps this is because of the intense light that drenches the Sacramento and Napa Valleys that he likes to depict. Heat also plays a role, causing the regional landscape to shimmer in a veil of heavy air that mutes the intensity of color and broadly flattens detail. This, of course, is common in Sacramento, home to the artist, where he has painted and taught for half a century. 
In his use of high-keyed color and broad paint handling Kondos shows an affinity to artists such as Wayne Thiebaud, with whom he shares an abiding friendship, Roland Petersen, and Bay Area artist Raimonds Staprans. Unique to Kondos, however, is his verity to subject. Arguably, Petersen and Staprans overtly generalize the landscape, while Thiebaud’s landscape forays are about pattern and its role in establishing illusion. Kondos’s compositions are balanced in order to express not only the tranquility of the scene, but also the pleasure of solitary communion with nature. The artist offers, “If you look at my work, you will find qualities of quietness and cleanliness, but, above all, you’ll find that I’m a loner.” 
PROJECT: 
create a reflective landscape using the mono print method
Step1: Fold your paper in half horizontally
Step2: Using liquid watercolor Paint a tree trunk
Step3: fold your paper to print the tree trunk
Step4: continue painting and printing tree trunks until you have 3-7 trees
Step5: add a tree top on one of your trunks, fold and print your tree tops
Step6: continue until all of your trees have tops
Step7: add land under your trees, grass or hills, etc. and fold your paper to print them 
Step8: add your sky behind the trees, remember to print them before they dry you might print several times during teh painting process
Last: using wet brush with clear water pull the reflection slightly to give it a more real reflective quality
MATERIALS: 
watercolor paper
watercolors







Tuesday, June 14, 2011

Horizonless Landscape with Wayne Thiebaud



three hour class

Discuss landscapes
Practice: create three practice pages of washes and techniques that will be used in a later project.
horizon line,
Foreground, middle ground, background, perspective
Touch on these important art topics that will greatly enhance this final piece
         Line, shape, contour drawing pattern, warm color, complementary colors purple and yellow, blue and orange
PRACTICE: WATERCOLOR: Use practice papers in upcoming watercolor collage opportunities.
Practice and discuss many watercolor techniques
Wet-on-Dry watercolor
wet on wet watercolor
graded washes
lifting out
Dropping in color
adding white with oil pastels
Tour of the museum play ISPY to find all landscapes.
Look at the artwork Mr. Theibaud’s River Intersection
What do you notice first? Color? Shape? Line? Pattern?
What is this painting of?
Is it a landscape?
What is missing from a traditional landscape?
What perspective is this from? ant, airplane?
What colors do you notice?
where have you seen ideas like this before?
Take a moment to sketch anything you want to remember about this piece. 
Back in the classroom
Stretch and talk more about initial impressions
PROJECT: Create a watercolor landscape using the many ideas we have discussed
contour drawing with pencil
(REMEMBER TO DRAW LIKE A COLORING BOOK you will fill in with color after)
Step1: using curved line draw a line from the top of the page to the bottom
Step2: using straight line draw a line beside but not touching the first
Step3: draw a half circle along either side
Step4: draw in three horizontal lines from the vertical line to the sides 
Step5: draw in two diagonal lines on the opposite side
Step6: draw in one thick line from the straight line to the side 
Step7: draw in circles that get smaller from the foreground to the background
Step8: draw in patterns or rows of things in one of your square patches
Step9: pick a diagonal pattern and add in stripes
Step10: add in any additional information that you enjoyed from the original piece
Fill in with watercolor: remember some of the techniques you explored earlier
Step1: fill in your washes of color first (remember colors and techniques)
step2: Fill in your piece with color 
Step3: decide if you want to glue on any of your earlier practices pages as part of your final piece.

MATERIALS:
watercolors and Several watercolor papers for each student
pencils
glue





Thursday, May 12, 2011

Under the Sea Murals with Wyland!!!



Discussion: Murals: what are they?
Where might we see a mural in our town?
What can be on a mural
Why would an artist paint a mural

Look at one or more of Wylnads pieces.
What do you see?
How do they make you feel?
Do you want to be a fish?
Do you feel like a fish?

Robert Wyland (born 1956), known simply as Wyland, is an artist best known for painting large, outdoor murals of whales and other ocean life.
Wyland has earned the distinction as one of America’s most unique creative influences, 
he is a leading advocate for marine resource conservation. 
An accomplished painter, sculptor, photographer, writer, and SCUBA diver, 
he has traveled the farthest reaches of the globe for more than twenty-five years, capturing the raw power and beauty of the undersea universe.
PROJECT: 
Step1: first, using foam paint brushes, add one beautiful coral along the bottom of our coral reef mural in Pink, Brown or lime green
Step2: Next add one small fish in blue or orange using the side of your paint brush
Step3: last using a straw, BLOW like milk, and make bubbles. Take your cup to the mural, place it against the mural, and blow the bubbles onto the mural. add them all over to make our mural look like water. Use Dark Blue, Turq and light blue.
MATERIALS: 
Paint and large brushes in Brown Pink and lime green
Paint and small brushes in orange and yellow
Cups with liquid paint in white, light blue and dark blue
Straws
Large blue paper for mural

Wednesday, May 4, 2011

Spring Happy Accident Flowers with Raoul Dufy




































Discussion: Look at Raoul Dufy’s Flower II 
What do you see in the picture?
How many different flowers
What shapes make up the flowers
When combined what does it look like?
How about the color he chose? is it a rainy day?
Background Color: the color AROUND The flowers, what color is it? Yellow
How did he make a rose? Swirly
How did he draw the irises? Heart
How did he draw the babies breath? just dots.
Raoul Dufy
(3 June 1877 – 23 March 1953) 
He was a French Fauvist painter. 
He developed a colorful, decorative style that became fashionable for designs of ceramics and textiles, as well as decorative schemes for public buildings. 
He is noted for scenes of open-air social events. 
He was also a draftsman, printmaker, book illustrator, a theatrical set-dresser, a designer of furniture, and a planner of public spaces
He worked with Matisse and was influenced by Cezanne
Project Create watercolor wash flowers over black line
ALL STAY TOGETHER TO CREAT FINAL PROJECT. STUDENTS WILL FOLLOW A SERIES OF INSTRUCTIONS:
Step1: working from the top of your page to the bottom
Step2: top left: make a series of small circles
Step3: in the middle top make the letter v and put a circle on the top
Step4: repeat same shape again on the right
Step5: On the left middle draw larger circles in two rows and add a line between
Step6: next to that add in a organic leaf shape and add a line down the middle and veins
Step7: in the center of your paper add a diamond, create more and more lines around until it looks like a flower
Step8: Draw a heart and add the letter v underneth
Step9 on the bottom add in a v with a circle on top
Step10: add a few leaf shapes
Step11: color in any flower you want to remain WHITE with a white oil pastel
Step12: using clear water paint your first flower
Step13: drop in color
Step14: add clear water to your second flower and drop in color
Continue with your bouquet until it is complete
Fill in the background yellow last
MATERIALS: liquid watercolors
watercolor paper
Brushes
Water
sharpie pens
white oil pastels