Showing posts with label Alexander Calder. Show all posts
Showing posts with label Alexander Calder. Show all posts

Friday, April 17, 2015

Wire Balance Sculptures with Calder





OBJECTIVE: Students will observe and create kinetic balance in artwork. After studying the artist Calder, Students will Plan and create a wire and foam core sculpture in perfect balance 

INTRODUCTION: (Anticipatory set): 
Art Link: 
Think, Pair, Share on balance 
In your sketchbook: draw an example of balance in nature (organic balance) 
How have we used Balance in our artwork to date 

KEY VOCABULARY: Mobile, Armature, Stable, Kinetic Movement, Actual Movement, Balance and emphasis

MATERIALS: 
14 gauge wire (Dick Blick)
7x11 piece of Foam Core
1 Large Rock: Lowes Large Beach rock $10 a bag
Blue, Red, White, Black, and Yellow Acrylic Paint. 

Artists/Art History: Alexander Calder  (1898 – 1976)
Expressionist Movement 
Studied mechanical engineering
Famous for inventing the mobile
Alexander Calder also created paintings, lithographs, toys, tapestry and jewelry.
1930's and 1940's trace the sculptor's early roots in Surrealism. 
Random and spontaneous expression was emphasized as a way to release the subconscious impulse into art. 
Calder used continuous line drawing which he adapted to his innovative wire sculptures such as "Goldfish Bowl”

Project Requirements: 
Plan and create balance sculpture with actual movement in the style of Calder
Sketchbook: 
Plan design of the sculpture. Consider: 
Wire structure
Color
Shape
Balance
Final Project
Stable is balanced and well structured
Shape Disks are in the style of Calder and well painted
No paint strokes present, shape disks, and rock
The sculpture is balanced from all sides
The sculpture has detail and precision (stable, wire, paint, balance)
The sculpture has actual kinetic movement

Assessment: 
Informal: Small group written critique
Formal: Artist Statement
Formal: Grading final sculpture

CA STANDARDS: 
  • Prof.VA:Cr3.1: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • Prof.VA:Pr5: Analyze and evaluate the reasons and ways an exhibition is presented.
  • Prof.VA:Re7.1: Hypothesize ways in which art influences perception and understanding of human experiences.
  • Prof.VA:Re8: Interpret an artwork or collection of works, supported by relevant and sufficient evidence found in the work and its various contexts.

Modifications: 
English Language Learner: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques, group activities to check for understanding
Special Needs: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques
Accelerated Learner: Expand on skills learned to create a unique project. 
Advanced art students will be asked to increase the difficulty of their final sculpture They will also be expected incorporate more details and principles into the final project

Scaffolding adaptations: 
Students will revisit Balance and emphasis from previous learning. We will use similar visuals to refresh earlier learning.  Notes on Art history, Key Vocabulary and artists will be taken throughout discussions for added understanding. Creating sketchbook plans and Constructing final sculpture will be demo started in class using guided instruction. 

INSTRUCTION: 
Students will receive details about Calder, Balance, Stables and Mobiles

DIRECT INSTRUCTION:
Day 1: PowerPoint Presentation Op Art
Opening: Art Link: Balance
Draw a picture of balance in Nature 
Draw a second example of balance using shape and line
How have we used balance in class to date
Critique: Describe, analyze, interpret
Discussion: Alexander Calder & Impact on culture
ART HISTORY: 
The mobile is a kinetic sculpture delicately balanced or suspended components with actual movement
Kinetic: moving parts, depends on motions for the effect
Powered by
Wind
Motor
Viewer
Indirect Instruction
Video of the circus
Describe what you saw. 
What thoughts do you have on this artwork?
Given the opportunity, what aspect of the circus would you want to interact with directly? 
How does this work relate to Calder’s Mobiles? 
Teacher Models: 
Movement and Art History
Students take notes in their sketchbooks 
Teacher Monitors throughout the discussion
DIRECT INSTRUCTION:
Alexander Calder  (1898 – 1976)
Expressionist movement
Studied mechanical engineering
Famous for inventing the mobile 
He also created paintings, lithographs, toys and jewelry
Calder’s stationary sculptures are called stabiles
1930's and 1940's trace the sculptor's early roots in Surrealism. 
Random and spontaneous expression was emphasized as a way to release the subconscious impulse into art. 
Calder used continuous line drawing which he adapted to his innovative wire sculptures such as "Goldfish Bowl.” 

Balance gives viewers the feeling that all parts of the work are in equilibrium  
All paintings and sculptures in galleries and museums are balanced in some way.  
Two basic forms of balance 
symmetrical 
asymmetrical
Symmetrical
To determine the basic balance of an artwork, draw an imaginary line down the center
If what happens on one side generally happens on the other, we say the work is symmetrical.  
The illustration above simplifies symmetry’s basic organization.
Asymmetrical balance will also give a sense of equilibrium
The organization is more complex.  
Just as you and your heavier seesaw partner had to figure out how to arrange yourselves on the seesaw
The artist must play with the specific elements to bring them into balance.
Check for Understanding: 
Monitor room during Pre-assessment in a sketchbook
Monitor throughout the discussion to be sure notes are being taken 
Presentation assessment

FINAL PROJECT: Students will Plan and create a wire and foam core sculpture in perfect balance 

Day 2: Art Link 
Quiet writing in a sketchbook
Calder: What did he invent?
Why was he dissatisfied as an artist early in his career?
Name and describe one activity from the video?
What makes his sculptures special?
Sketchbook Planning
Students receive handouts on Calder and Rock
Students plan their wire sculptures
Plan Shapes
Plan Balance

Day 3: Sketchbook Planning 
Once approved
Student will receive 
Rocks
Wire
Foam Core 
Studio: Begin to construct sculptures

Day 4: Art Link: http://whitney.org/WatchAndListen/Artists?play_id=856
Take notes for artist statement
important to note how the circus influences his body of work

Studio: Continue to Balance 









Monday, September 2, 2013

Wire Sculpture with Alexander Calder


Art Link: 
What is Form
Compare and contrast Form to art we have created in the classroom

INTRODUCTION to lesson (Anticipatory set): 
Analyze the pillow artwork by Mathilde Roussel
Use Critique/discussion form to enhance conversation
Think-Pair-Share 
Group discussion about this work of art

OBJECTIVE: Using uncut Wire, create a piece of art inspired by Alexander Calder. Include Form Space and balance in the final work of art. 
Discuss with table form and space as pre-assessment
Discuss and practice drawing your final project on paper
Work closely with teacher before receiving wire
Students will understand new vocabulary as is relates to visual art: 
Form Space Balance Relief Sculpture 
Mobiles High Relief Middle Relief Ladder perspective
Low Relief Space shapes Free-standing sculpture
Linear perspective Mobile Kinetic Stabiles

CA STANDARDS: 
1.1 Identify and use the principles of design to discuss, analyze, and write about visual aspects in the environment and in works of art, including their own.
1.4 Analyze and describe how the composition of a work of art is affected by the use of a particular principle of design.
2.1 Solve a visual arts problem that involves the effective use of the elements of art and the principles of design.
2.2 Plan and create works of art that reflect complex ideas, such as distortion, color theory, arbitrary color, scale, expressive content, and real versus virtual. 
3.3 Identify and describe trends in the visual arts and discuss how the issues of time, place, and cultural influence are reflected in selected works of art.
4.5 Employ the conventions of art criticism in writing and speaking about works of art.
5.2 Compare and contrast works of art, probing beyond the obvious and identifying psychological content found in the symbols and images.

PURPOSE: complete a wire sculptue addressing elements and principles of art

INSTRUCTION: 
Students will discover review the elements of art, explore, form, space and balance, look at the artwork of Alexander Calder and create a wire sculpture piece as a final art project. 

MATERIALS: four feet of wire per student
Sketch paper
Pencils

DIRECT INSTRUCTION:
Power Point Presentation FORM
Pre-assessment: Sketchbook: 
How does this art effect you? 
Opening: Art Link: What is Form activity
Review: Elements of art 
Discussion: Form, Space, Balance
Space: Overlapping
Ladder perspective
Linear perspective
Form and Sculpture
Relief Sculpture
Free Standing Sculpture 
Space and sculpture
Review Principles of Art
Balance
Symmetry
Asymmetry
ART HISTORY: ALEXANDER CALDER
Expressionist
Began with wire circus
Invented Mobile
VIDEO: Calder’s Circus
Wire sculptures
Describe, Interpret, Analyze
Calder had plans in his sketchbook
Teacher Models: 
Form, Space and Balance throughout discussion 
Students take notes in their sketchbooks 
Teacher Monitors throughout discussion
Check for Understanding: 
Monitor room during Pre-assessment in sketchbook
Monitor throughout discussion to be sure notes are being taken 

FINAL PROJECT: Students will create a wire sculpture in the style of Alexander Calder
Sculptures must be in the shape of a box and have objects inside
Wire may not be cut, students will solve the problem of the wire in its 
full length
Students will draw and submit three plans for their wire before receiving 
Wire. They must consider measurements, interior content Form,   Space and Balance. 





Friday, October 28, 2011

Line, Pattern and Repetition with Alexander Calder




DISCUSSION: LINE, Repetition, Pattern
What is a line? 
What kinds of lines can you think of?
Where do we see line in Nature?
         What happens when you repeat the same line over and over?
            pattern like fish scales. 
  Look at Alexander Calder, Gold Fish Bowl, 1929, wire, 16 x 15 x 6"
                    talk about all the different lines you see.

ARTIST: Alexander Calder
(22 July 1898 – 11 November 1976)
famous for inventing the mobile
Alexander Calder also created paintings, lithographs, toys, tapestry and jewelry.
Salmon:  Show the pictures of the fish
What do you see?
How do it’s colors protect it?
                 The gray on the top of the fish protect it from predators above.
                 The pink on the bottom of the fish protect it from predators below.
             Where do you see line/shape/texture?
PROJECT: draw Salmon using lines inspired by Calder
WORK TOGETHER ON THE PROJECT SO YOU DON’T LEAVE ANYONE BEHIND
Sharpie:
Step 1: draw the oval shape of the fish body
Step2: draw each of the fish fins and it’s eye
Step3: use the letter C  lines to create scales on the bottom of the  body
Step4: use straight lines to define each of the fins
Step5: use  a curved line to draw in the gills
Step6: draw circles on the top of the body to look like rocks
Step7: use simple lines to create plant life on the bottom of the page
Watercolor:
Use grays and greens for the top of the body
Use: pinks  for the bottom of the body
Use: any colors you choose for the plant life
Use: blues to fill in the remaining white of your page for water
METALLIC WATERCOLOR:
Use silver to  add some  metallic shine to your fish body
MATERIALS: 
Watercolor tins,      sharpies,      brushes,       water,       cups
Liquid watercolors in: pink, blue, green, grey, orange, one mettalic