Showing posts with label Expressionist Movement. Show all posts
Showing posts with label Expressionist Movement. Show all posts

Friday, April 17, 2015

Wire Balance Sculptures with Calder





OBJECTIVE: Students will observe and create kinetic balance in artwork. After studying the artist Calder, Students will Plan and create a wire and foam core sculpture in perfect balance 

INTRODUCTION: (Anticipatory set): 
Art Link: 
Think, Pair, Share on balance 
In your sketchbook: draw an example of balance in nature (organic balance) 
How have we used Balance in our artwork to date 

KEY VOCABULARY: Mobile, Armature, Stable, Kinetic Movement, Actual Movement, Balance and emphasis

MATERIALS: 
14 gauge wire (Dick Blick)
7x11 piece of Foam Core
1 Large Rock: Lowes Large Beach rock $10 a bag
Blue, Red, White, Black, and Yellow Acrylic Paint. 

Artists/Art History: Alexander Calder  (1898 – 1976)
Expressionist Movement 
Studied mechanical engineering
Famous for inventing the mobile
Alexander Calder also created paintings, lithographs, toys, tapestry and jewelry.
1930's and 1940's trace the sculptor's early roots in Surrealism. 
Random and spontaneous expression was emphasized as a way to release the subconscious impulse into art. 
Calder used continuous line drawing which he adapted to his innovative wire sculptures such as "Goldfish Bowl”

Project Requirements: 
Plan and create balance sculpture with actual movement in the style of Calder
Sketchbook: 
Plan design of the sculpture. Consider: 
Wire structure
Color
Shape
Balance
Final Project
Stable is balanced and well structured
Shape Disks are in the style of Calder and well painted
No paint strokes present, shape disks, and rock
The sculpture is balanced from all sides
The sculpture has detail and precision (stable, wire, paint, balance)
The sculpture has actual kinetic movement

Assessment: 
Informal: Small group written critique
Formal: Artist Statement
Formal: Grading final sculpture

CA STANDARDS: 
  • Prof.VA:Cr3.1: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • Prof.VA:Pr5: Analyze and evaluate the reasons and ways an exhibition is presented.
  • Prof.VA:Re7.1: Hypothesize ways in which art influences perception and understanding of human experiences.
  • Prof.VA:Re8: Interpret an artwork or collection of works, supported by relevant and sufficient evidence found in the work and its various contexts.

Modifications: 
English Language Learner: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques, group activities to check for understanding
Special Needs: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques
Accelerated Learner: Expand on skills learned to create a unique project. 
Advanced art students will be asked to increase the difficulty of their final sculpture They will also be expected incorporate more details and principles into the final project

Scaffolding adaptations: 
Students will revisit Balance and emphasis from previous learning. We will use similar visuals to refresh earlier learning.  Notes on Art history, Key Vocabulary and artists will be taken throughout discussions for added understanding. Creating sketchbook plans and Constructing final sculpture will be demo started in class using guided instruction. 

INSTRUCTION: 
Students will receive details about Calder, Balance, Stables and Mobiles

DIRECT INSTRUCTION:
Day 1: PowerPoint Presentation Op Art
Opening: Art Link: Balance
Draw a picture of balance in Nature 
Draw a second example of balance using shape and line
How have we used balance in class to date
Critique: Describe, analyze, interpret
Discussion: Alexander Calder & Impact on culture
ART HISTORY: 
The mobile is a kinetic sculpture delicately balanced or suspended components with actual movement
Kinetic: moving parts, depends on motions for the effect
Powered by
Wind
Motor
Viewer
Indirect Instruction
Video of the circus
Describe what you saw. 
What thoughts do you have on this artwork?
Given the opportunity, what aspect of the circus would you want to interact with directly? 
How does this work relate to Calder’s Mobiles? 
Teacher Models: 
Movement and Art History
Students take notes in their sketchbooks 
Teacher Monitors throughout the discussion
DIRECT INSTRUCTION:
Alexander Calder  (1898 – 1976)
Expressionist movement
Studied mechanical engineering
Famous for inventing the mobile 
He also created paintings, lithographs, toys and jewelry
Calder’s stationary sculptures are called stabiles
1930's and 1940's trace the sculptor's early roots in Surrealism. 
Random and spontaneous expression was emphasized as a way to release the subconscious impulse into art. 
Calder used continuous line drawing which he adapted to his innovative wire sculptures such as "Goldfish Bowl.” 

Balance gives viewers the feeling that all parts of the work are in equilibrium  
All paintings and sculptures in galleries and museums are balanced in some way.  
Two basic forms of balance 
symmetrical 
asymmetrical
Symmetrical
To determine the basic balance of an artwork, draw an imaginary line down the center
If what happens on one side generally happens on the other, we say the work is symmetrical.  
The illustration above simplifies symmetry’s basic organization.
Asymmetrical balance will also give a sense of equilibrium
The organization is more complex.  
Just as you and your heavier seesaw partner had to figure out how to arrange yourselves on the seesaw
The artist must play with the specific elements to bring them into balance.
Check for Understanding: 
Monitor room during Pre-assessment in a sketchbook
Monitor throughout the discussion to be sure notes are being taken 
Presentation assessment

FINAL PROJECT: Students will Plan and create a wire and foam core sculpture in perfect balance 

Day 2: Art Link 
Quiet writing in a sketchbook
Calder: What did he invent?
Why was he dissatisfied as an artist early in his career?
Name and describe one activity from the video?
What makes his sculptures special?
Sketchbook Planning
Students receive handouts on Calder and Rock
Students plan their wire sculptures
Plan Shapes
Plan Balance

Day 3: Sketchbook Planning 
Once approved
Student will receive 
Rocks
Wire
Foam Core 
Studio: Begin to construct sculptures

Day 4: Art Link: http://whitney.org/WatchAndListen/Artists?play_id=856
Take notes for artist statement
important to note how the circus influences his body of work

Studio: Continue to Balance 









Thursday, October 4, 2012

Shape with Rothko









Discussion: shape
What is a shape
How are they made? 
What are they used for? 
Did they help you get to school today? 
Let’s name some shapes

Mark Rothko (September 25, 1903 – February 25, 1970)
He was a Russian-American painter.
Rothko believed that his art could free the unconscious energies previously liberated by mythological images, symbols, and rituals. 
He considered himself a "mythmaker," and proclaimed "the exhilarated tragic experience, is for me the only source of art."
In 1949, Rothko became fascinated by Matisse’s Red Studio, acquired by the Museum of Modern Art that year. He later credited it as a key source of inspiration for his later abstract paintings.
The year 1946 saw the creation of Rothko’s transitional "multiform" paintings. 
The term "multiform" has been applied by art critics; this word was never used by Rothko himself, yet it is an accurate description of these paintings. 
He employed natural substances such as egg and glue, as well as artificial materials including acrylic resins, phenol formaldehyde, modified alkyd, and others.[9] 
One of his objectives was to make the various layers of the painting dry quickly, without mixing of colors, such that he could soon create new layers on top of the earlier ones.
He is classified as an abstract expressionist, although he himself rejected this label, and even resisted classification as an "abstract painter".

Project: 
Step 1: One tag board, draw a red square with oil pastels
Step 2: Above the square draw a blue rectangle
Step3: paint the rest yellow

MATERIALS: 
Liquid watercolor, yellow
Red and blue oil pastel
White tag board.