Color Wheel Perspective

Objective:  Students will create a color wheel using one point perspective, accurate color placement and value 

CA Art Standards

1.1 Identify and use the principles of design to discuss, analyze, and write about visual aspects in the environment and in works of art, including their own.

2.1 Solve a visual arts problem that involves the effective use of the elements of art and the principles of design.

2.2 Prepare a portfolio of original two-and three-dimensional works of art that reflects refined craftsmanship and technical skills.

3.2 Identify and describe the role and influence of new technologies on contemporary works of art.

4.2 Compare the ways in which the meaning of a specific work of art has been affected over time because of changes in interpretation and context.

4.5 Employ the conventions of art criticism in writing and speaking about works of art.

5.0: Students apply what they learn in the visual arts across subject areas. 

Materials: 

Tag Board

Color Pencils 

Key Vocabulary: 

Hue, Value, One point Perspective, tertiary

Direct Instruction 

Color has a huge effect on our daily lives.

Everyday our emotions, moods,  physical sensation (appetite) are influenced by the colors that surround us.

There are three (3) properties to color:  

Hue: the name we give to a color (red, blue, etc.).

Intensity: refers to the strength/vividness of the color. For example, we may describe the color blue as "royal" (bright, rich, vibrant) or "dull" (grayed).

Value: meaning its lightness or darkness. Shade and Tint are in reference to value changes in colors.

One-point perspective -contains only one vanishing point on the horizon line. 

This type of perspective is typically used for images of roads, railway tracks, hallways, or buildings viewed so that the front is directly facing the viewer.

Color Theory: is a body of practical guidance to color mixing and the visual effects of a specific color combinations

Teacher Models 

Examples of vocabulary on the board throughout discussion 

Students take notes in their sketchbooks 

Teacher Monitors room throughout discussion

Step by Step modeling on how to create color wheel

Check for Understanding: 

Monitor room during Pre-assessment in sketchbook

Monitor throughout discussion ensure comprehension and active note taking 

Various Activities Designed to check/enhance student comprehension

Project requirements:

Sketchbook: student uses sketchbook to complete studies on one point perspective and building details using a ruler

Final project: Student applies sketchbook skills onto final paper to create building color wheel

Student creates color wheel showing primary, secondary and tertiary colors

Student shows the shade, tint and pure color of 12 colors on the color wheel

Student added unique details on each of the 12 buildings using black ink

Final project is well thought out and executed

Student takes advantage of studio time by illustrating full effort in actions and final results. 

Adapted from lesson found: http://tartteaching.blogspot.com/2012_08_01_archive.html

Slotted Color Sculptures with Josef Albers

Lesson Objective

Work with elements of art: Color 

Work with principles of Art: Scale 

Create a Slotted color sculpture exploring color relationships 

Key Vocabulary: 

Hue

Value

Intensity

Chroma

Saturation

Contrast 

Complementary Colors

Simultaneous Contrast 

Successive Contrast 

Color Schemes (relationships)

Materials: 

Foam Core 

Paint

Exato Knives

Focus Artists: 

Josef Albers 

Beg: Project Requirements: Create a Slotted color sculpture exploring color relationships 

Sketchbook: Students will draw color plans for each side of their slotted sculpture and

submit plans for approval. Required: 

Square slotted format for each side (Construction)

Color Relationships (5 different schemes minimum)

Color Placement (Neighbors/Scale)

All sides and angles of the sculpture (Details)

Scale as it pertains to final look of sculpture

Create Free-standing Slotted Sculpture exploring Josef Albers studies on color

Precision (Painting and Slot Construction)

Scale (How color looks from ALL sides)

Adv: Project Requirements: Create a Slotted color sculpture exploring color relationships 

Sketchbook: Students will draw color plans for each side of their slotted sculpture and submit plans for approval. Required:

Slotted, one shape format for each side (Construction)

Color Relationships (8 different schemes, minimum)

Color Placement (Neighbors)

All sides and angles of the sculpture (Details)

Scale as it pertains to final look of sculpture

Create Free-standing Slotted Sculpture exploring Josef Albers color studies 

Precision (Painting and Slot Construction)

Scale (How color looks from ALL sides)

Assessment: 

Informal: Written Peer Critique

Formal: Artist Statement

Formal: Grading final sculpture

CA STANDARDS: 

1.1 Identify and use the principles of design to discuss, analyze, and write about visual aspects in the environment and in works of art, including their own. 

1.3 Research and analyze the work of an artist and write about the artist's distinctive style and its contribution to the meaning of the work.

1.5 Analyze the material used by a given artist and describe how its use influences the meaning of the work.

2.2 Plan and create works of art that reflect complex ideas, such as distortion, color theory, arbitrary color, scale, expressive content, and real versus virtual. 

4.5 Employ the conventions of art criticism in writing and speaking about works of art.

5.2 Compare and contrast works of art, beyond the obvious and identifying psychological content found in the images

Modifications: 

English Language Learner: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques

Special Needs: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques

Accelerated Learner: Expand on skills learned to create a unique project. 

Advanced art students will be asked to increase the difficulty of their final sculpture They will also be expected incorporate 8 color schemes in final sculpture. 

Scaffolding adaptations: 

Students will revisit color and line from the earlier learning. We will use similar visuals to refresh earlier learning.  Notes on color, scale and artists will be taken throughout discussions for added understanding. Creating sketchbook plans and Constructing final sculpture will be demo started in class using guided instruction. 

Art Link: 

Science and Art

How have we used science in the course already? 

INTRODUCTION to lesson (Anticipatory set): 

Watch a video on Josef Albers and his work 

Use discussion form to enhance learning

OBJECTIVE: Using Slotted Sculpture as your 3-D Form 

Create Free-Standing Artwork exploring 6 different color Schemes/Relationships

Must Complete Sculpture from all Angles

Discuss Science and Art as pre-assessment

Discuss and practice drawing your final project on paper

Work closely with teacher before moving to foam core

Students will understand new vocabulary as is relates to visual art: 

PURPOSE: Complete Free-Standing, Slotted sculpture exploring color relationships. 

INSTRUCTION: 

Students will discover review the elements of color and Scale. they look at the artwork of Josef Calder and create a Slotted sculpture piece as a final art project. 

DIRECT INSTRUCTION:

Day 1 and 2: Power Point Presentation Color and Albers

Pre-assessment: Science and Art

Opening: Art Link: Quote from Albers on Science and Art

Review: Elements of art 

Discussion: Color

Key Vocabulary featured on PPT with visuals: 

Hue

Value

Intensity

Chroma

Saturation

Contrast 

Complementary Colors

Simultaneous Contrast 

Successive Contrast 

Color Schemes (relationships)

ART HISTORY: Josef Albers 

German-born American artist and educator 

He worked, both in Europe and in the United States

Taught at Yale University

He formed the basis for the most influential and far-reaching art education programs of the 20th century.

Studied color with paper

Avoids mixing paint

Saves time and materials

Gain active interest, no prep

Precision of tone, light and surface quality

No texture (i.e. brush strokes)

Huedoku: Students play the app Huedoku to see their learning at work. The app is created from Albers studies and allows students to place colors in the right order based on hue. Students will both watch and play. Student playing will be active in color placement students watching will observe how color changes based on its neighbors. 

Review each Color scheme on last slide to check for understanding 

Teacher Models: 

Color throughout discussion 

Students take notes in their sketchbooks 

Teacher Monitors throughout discussion

The game Huedoku on how to play with three color boxes 

Check for Understanding: 

Monitor room during Pre-assessment in sketchbook

Monitor throughout discussion ensure comprehension and active note taking 

Students play the Huedoku App with 4 color boxes and higher

Present Rubric through Power Point Slides: 

FINAL PROJECT:  Using color relationships considering colors will be placed next to each other on final sculpture 

Students will draw  plans for their Color sculpture before moving to paint stage

They must consider:

Color Relationships

Color Placement

All sides and angles of the sculpture

Scale as it pertains to final look of color on sculpture

Create Free-standing Slotted Sculpture exploring Josef Albers studies on color

Day 3: Students receive a full day to create and label their five color schemes 

Students show me their color schemes to show understanding and receive foam core

Day 4: Students measure and cut slots based on model I presented or their own ideas. 

Student will use exact knives to achieve slot cuts

Safety Measures in place: 

Watch a video about how to cut slots on youtube

Teacher passes out and retrieves exacto knives 

Students must have a partner also ready to make cuts before receiving 

exacto knife

Students are reminded about keeping thumbs in and watching partners

throughout exacto use

Teacher monitors exacto knives by observing each table throughout 

class time. 

Day 5: Slot Cutting Continues

Day 6: Students begin paint planning

Once slots are in place and structure is complete

Students will begin to add paint lines and details on the final sculpture

This planning will help complete painting of each color scheme

Paint is applied in the style of Josef Albers Squares

Day 7: Painting Continues

Albers Reflection through Art Link (15 Minutes)

Students read a quote from Josef Albers

They are reminded about how we got to this stage of our sculpture

They are asked to read through their notes and find their favorite fact as a table 

group

They discuss and expand on the fact and present their discussion to the class

This will prepare students for upcoming Critique

Students are asked to take notes on this process for Friday sketchbook checks

Students return to their stage of the sculpture 

Day 8: Full studio Day

All students should begin the painting Process today

Check the room for students who are lingering in the slot phase or color 

planning phase

Day 9: Critiques: 

Peer Critiques

Directions: Present to the class first by Power Point

Show the rubric on Power Point 

Review Rubric Goals

Remind students to critique by rubric

Students can partner with anyone in the room but a table mate

Students will exchange sculptures 

Each student will create a written critique about their partners work

Each student should address goals achieved and goal 

opportunities

Students should use the name Albers at least once

Students should refer to a Rubric Goal at least twice

Students should incorporate key vocabulary throughout. 

Critique is based on Rubric Goals

Students will exchange their written critiques

Read and discuss new goals with their partner

Day 10: Full studio Day 

Focus on New Goals from yesterday critique

Focus on getting to the halfway mark of your painting process

Day 11: Full studio Day 

All should be at the 3/4 way mark by the end of the day 

Day 12: Final day of sculpture (November 10)

Students should complete sculpture today and be ready for Artist Statement 

Turn in completed sculptures at the end of the period. 

Day 13: Artist Statement (November 12)

Collaboration: Mixed Movement Dot Circles with Sonya Delaunay, Elizabeth Murray and Seurat

THREE WEEK COLLABORATION PROJECT

Final Project at the end of third class 

WEEK 1

Discussion: 
Primary Color
Secondary color
Mixing colors to make new colors
Show a piece of Delaunay's artwork
Discuss color and shape

Artist:

Sonia Delaunay
(November 14, 1885 – December 5, 1979) 
Jewish-French artist 
Married to  Robert Delaunay 
Co-founded the Orphism art movement: noted for its use of strong colors and geometric shapes. 
Her work extends to painting, textile design and stage set design. 
She was the first living female artist to have a retrospective exhibition at the Louvre in 1964, and in 1975 was named an officer of the French Legion of Honor.
Her work in modern design included the concepts of geometric abstraction, the integration of furniture, fabrics, wall coverings, and clothing.

Project: Create mixed color circles for colloboraration canvas
Step1: Studenst mix two colors together in a small cup
Step2: studenst paint large circle on canvas

Materials: 
Tempura paint: primary secondary black and white
Paint brushes
30x40 canvas


WEEK 2

Discussion: Movement
Talk about movement and music in art work
Show Elizabeth Murray's work and ask if they see music
iPAD: Use the MOMA art app to add music to Murray's work and let studenst here the noises
No iPad: Study Keith Haring and talk about black movement lines

Artist: Elizabeth Murray (1940-2007):
Inspired by Abstract Expressionist Jackson Pollock’s work, as well as Pablo Picasso’s Cubist works 
American painter Elizabeth Murray’s oeuvre span styles from a Minimalist use form and color to bold, cartoonish Surrealism. 
Her works push the boundaries of a two-dimensional medium; the irregular triangles in the “Giant Maiden” series (1972) strain against the edges of canvases painted in high relief, while the explosive colors on an intricate collage-like canvas in Do the Dance (2005) lend the painting a kinetic, almost optical quality.

Project: using medium brushes have students add lines to circles
Step1: grab a brush with black paint and add one curved line 
step2: add a few straight lines

Materials: 
Black paint
Brushes
Circles canvas; see above. 

WEEK 3

Discussion: Dots
Mixing colors with your eye balls
Look at the Seurat work: A Sunday on La Grande Jatte—1884
Ask students what they see (make sure they see the monkey) 
Have a close up of one spot on the final work that shows the dots. 
How does  the view mix the dots? Is this science? 

Artist: Georges Seurat 

(1859-1891)

French Painter

Invented pointillism

Took informal art lessons as a teen

Attended art school in Paris

He studied the relationship between lines and images and the effect light had on color

He wanted to know more about the emotional effect of color

He influenced science with his studies of colors

Project: add dots to the movement circles

Step1: using q-tips add put color dots to the final work

Materials

Tempura Paint

Q-tips

Movement Color Wheels with Elizabeth Murray

Discussion: 

Primary colors, RED YELLOW Blue 

What are they? Why are they so important? 

What does Primary Mean

Why are they so important/what do they do? 

Secondary colors ORANGE GREEN PURPLE

What are they

Create a color wheel

Show the colors mixing

Show Murray’s work

Discuss color

Discuss shape 

        If you could go into the artwork, where would you travel first?

Discuss Music

Discuss movement

Bring MoMA app on Ipad if you have it. 

ARTIST: Elizabeth Murray (1940-2007):

Inspired by Abstract Expressionist Jackson Pollock’s work, as well as Pablo Picasso’s Cubist works, American painter Elizabeth Murray’s oeuvre span styles from a Minimalist use form and color to bold, cartoonish Surrealism. 

Her works push the boundaries of a two-dimensional medium;

The irregular triangles in the “Giant Maiden” series (1972) strain against the edges of canvases painted in high relief, 

While the explosive colors on an intricate collage-like canvas in Do the Dance (2005) lend the Painting a kinetic, almost optical quality.

Project: Create Murray inspired shape drawing and mix primary and secondary colors

Step1: draw a circle on the left part of your page, the size of your fist

Step2: Draw an organic shape/circle next to the first, lower and on the right side but have it touching the first

Step3: Draw a third organic shape/circle next to the second, below and in the middle of the two but have it touching both

Step4: draw a line from each shape to an edge

Step4: Color the shapes in primary colors

Step5: in the background behind the red and blue shapes mix the two to make purple

Step6: in the background behind the red and yellow shapes mix the two to make orange

Step7: in the background behind the yellow and blue shapes mix the two to make green

Step8: add music and movement line line Murray. 

Materials: 

Oil pastels in Yellow red blue and Black

Tag board

pencils

Color Wheel hand prints with Picasso

Discussion: 
Picasso's artwork, Hands with Flowers
What do you see in this drawing
What is the hand doing? 
What colors do you see? 
How many colors? 
How do we make color? 
What is primary color? 
Red Yellow Blue
Why are they special? What do they do? 

They make secondary colors: show a color wheel
Red and blue get too close they make: Purple
Yellow and blue get too close they make green 
Red and yellow get too close they make orange

ARTIST: Pablo Picasso 
(25 October 1881 – 8 April 1973)

He was a Spanish painter, draughtsman, and sculptor. 

He is one of the most recognized figures in 20th-century art. 
He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Picasso demonstrated uncanny artistic talent in his early years, 
He painted in a realistic manner through his childhood and adolescence; 
During the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. 
Picasso’s creativity manifested itself in numerous mediums, including painting, sculpture, drawing, and architecture. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.

Project: Create printed flowers with hand print
Step1: using a circle stamp print a red center
Step2: using another circle stamp print a blue flower center
Step3: using a third print a yellow flower center
Step4: add orange petals with oil pastels
Step5: add green lines for stems with oil pastels 
Step6: paint and print your hand in purple paint

Materials: 
3 Foam circles and wine corks hot glued together for circle stamp
Red, blue, purple, and yellow tempura paint
orange and green oil pastels 


This lesson was adapted from a wonderful lesson found here: splishsplashsplatterart.blogspot.com.

Warm and Cool Hearts with Jim Dine

PREPARATION: precut Heart stencils from card stock and tape them to the table. Students will slip their paper underneath. 

DISCUSSION: Warm and Cool Colors

What are warm colors?

How do they make us feel?

Where/When do we see them?

What are cool colors?

How can they make us feel?

Where/when do we see them?

ARTIST

Jim Dine born June 16, 1935

American pop artist. 

He is sometimes considered to be a part of the Neo-Dada movement. 

He was born in Cincinnati, Ohio, 

He attended the University of Cincinnati and received a BFA from Ohio University 

 He first earned respect in the art world with his Happenings. 

Pioneered with artists Claes Oldenburg and Allan Kaprow, the "Happenings" were chaotic performance art that was a stark contrast with the more somber mood of the expressionists popular in the New York art world. 

In 1962 Dine's work was included, along with Roy Lichtenstein, Andy Warhol and Wayne Thiebaud, in the historically important New Painting of Common Objects.

This exhibition is historically considered one of the first "Pop Art" exhibitions in America

Jim Dine’s Hearts were included in this exhibit

PROJECT: create oil pastel heart with stencil  

Step 1: name on paper

Step2: place stencil on paper and tape down

Step3: Color inside the stencil with warm oil pastels

Step4: remove stencil

Step5: fill in background with cool color of water colors

Step6: place on drying rack

MATERIALS:

Heart stencils

Oil pastels

Liquid watercolors in cool colors