Showing posts with label oil pastels. Show all posts
Showing posts with label oil pastels. Show all posts

Tuesday, August 2, 2016

Mixed Media Collage Final Project






Mixed Media Collage Reproduction
• Must create a reproduction of work by any famous artist. 
• Minimum 12” X 18” 
Must incorporate: 
Blind contour
Create depth and/or perspective
Shading and value to create form:
USE ONE: Stippling, scumbling, hatching, cross hatching, etc. 
Tessellation OR Op art reference
Pop Art reference
One of the following: Oval action figure, gestural figure OR portrait
Visual and/or tactile texture
Color, emotion, mood
Newspaper and/or magazine 
Paint (watercolor or acrylic) 
Oil Pastel
Graphite pencil drawing
Pen and ink (sharpie OR black ink pen)
  • Required: Please complete the artist statement and final rubric. Blue tape both on the back.
  • Required: Title of work: incorporate original artist’s name into your title. 
  • One day to find your fine art inspiration
  • Four days of studio time, three days of independent work. 
  • Due with presentation, including: why you chose the artwork and how you incorporated each requirement. 

Final meets California Art Standards: 

  • 1.8 Analyze the works of a well-known artist as to the art media selected and the effect of that selection on the artist's style.
  • 2.1 Create original works of art of increasing complexity and skill in a variety of media that reflect their feelings and points of view.
  • 2.2 Plan and create works of art that reflect complex ideas, such as distortion, color theory, arbitrary color, scale, expressive content, and real versus virtual.
  • 2.4 Demonstrate in their own works of art a personal style and an advanced proficiency in communicating an idea, theme, or emotion.
  • 2.6 Present a universal concept in a multimedia work of art that demonstrates knowledge of technology skills.
  • 3.2 Identify contemporary artists worldwide who have achieved regional, national, or international recognition and discuss ways in which their work reflects, plays a role in, and influences present-day culture. (artist statement question)
  • 4.1 Describe the relationship involving the art maker (artist), the making (process), the artwork (product), and the viewer.
  • 5.2 Compare and contrast works of art, probing beyond the obvious and identifying psychological content found in the symbols and images.













Crumpled Movement Landscape



Lesson Objective: Observe, identify and create movement in a landscape work. 

Key Vocabulary: 
Rhythm: Principle of Art: Art elements (line shape, value, color, texture) recur regularly. Like a dance it will have a flow of objects that will seem to be like the beat of music. 
Movement: Principle of Art: Art Principle:  the path the viewer's eye takes through the artwork, often to a focal area.
Watercolor: is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork.
Landscape is ANY picture of the outdoors
Foreground: The part of the picture that is closest to you.
Perspective: things look bigger when they are closer to you.
Middleground: The part of the picture in the middle.
Background is up by the Top of your paper. 
“Rule of Thirds” can be key to creating balance in landscape painting
Opacity: (O-pa-city):the condition of lacking transparency or translucence; opaqueness. 

Materials: 
Drawing Supplies: Colored pencils, drawing pencils, oil pastels
Watercolors
Watercolor Paper
One scrap paper per student: crumpled

Focus Artist: Van Gogh

CA Art Standards: 
1.4 Analyze and describe how the composition of a work of art is affected by the use of a particular principle of design.
1.5 Analyze the material used by a given artist and describe how its use influences the meaning of the work.
2.1 Solve a visual arts problem that involves the effective use of the elements of art and the principles of design.
2.4 Review and refine observational drawing skills.
3.3 Identify and describe trends in the visual arts and discuss how the issues of time, place, and cultural influence are reflected in selected works of art.
4.5 Employ the conventions of art criticism in writing and speaking about works of art.
5.0 CONNECTIONS, RELATIONSHIPS, APPLICATIONS: Students apply what they learn in the visual arts across subject areas.

Project Requirements: 
Sketchbook: Practice drawing a crumpled piece of paper on a blank sheet of your sketchbook. 
Turn that drawing of paper into hills on the horizon. 
Draw in the background and foreground. 
Use oil pastels and watercolors to create movement. 

Final Project: Student used blind contour technique to draw crumpled paper mountain range.
Student added interest, rhythm and movement to create landscape using oil pastels and watercolor. 
Student followed landscape procedures to add interest in foreground and background. 
Student used the “rule of three” and color to create emphasis.

Direct Instruction from Power Point: 
Landscape is ANY picture of the outdoors

The Foreground: The part of the picture that is closest to you. 
The foreground is at the bottom of the paper. 
Things in the foreground look big, have more detail and are darker
Perspective: things look bigger when they are closer to you.

The Middleground:
The part of the picture in the middle. 
The middle ground is part way between the foreground and the background.
It is that part of the picture that  is farthest away from you. 

The Background is up by the Top of your paper. 
Things in the background look smaller, less detail and lighter because they are farther away. 

Overlapping is when one thing seems to cover up another thing, even just a little. When this happens, the thing that looks like it is on top is the thing that’s closest to you.

COLOR and Landscape: Warm and cool – Use the power of warm and colors to add even more depth. 
Add a red highlight in the foreground to bring your viewers gaze forward and to heighten the effect. 
Warm in the foreground cools in the background
Color becomes less and less saturated (intense) as it disappears into the distance.
Everything gets lighter in value as the distance from the viewer increases
As the landscape hits the horizon line it is often very similar in value to the sky.

Balance in three’s 
The nature of something’s ingredients or constituents; the way in which a whole or mixture is made up.
2. The action of putting things together; formation or construction.
3 is the magic number: Balance
Composition is about variety just “don’t make any two things the same”

The “Rule of Thirds” can be key to creating balance in landscape painting
Divide your page horizontally into 3.
2. Decide whether to have your horizon on the top third or the bottom third 
(the bottom third is always easier to balance, it helps to make the sky look vast and imposing).
3. Split the vertical into thirds.
4. Align areas of focus at the intersection between the lines.

Vincent  van Gogh 
(1853 – 1890)
Dutch Post-Impressionist painter 
His work had a far-reaching influence on 20th century art
Known for his  vivid colors and emotional impact.
Van Gogh did not begin painting until his late twenties
Best-known works were produced during his final two years. 
He produced more than 2,000 artworks, consisting of around 900 paintings and 1,100 drawings and sketches. 
His work was a strong influence on the Modernist art that followed. 
Today many of his pieces—including his numerous self portraits, landscapes, portraits and sunflowers—are among the world's most recognizable and expensive works of art.
Known for his paint application creating texture and movement.
He suffered from anxiety and increasingly frequent bouts of mental illness throughout his life,
died largely unknown, at the age of 37
Sold only one painting while he was alive

Rhythm: Principle of Art: Art elements (line shape, value, color, texture) recur regularly. Like a dance it will have a flow of objects that will seem to be like the beat of music. 

Movement: Principle of Art: Art Principle:  the path the viewer's eye takes through the artwork, often to a focal area.

Watercolor: is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork.

Opacity: (O-pa-city):the condition of lacking transparency or translucence; opaqueness. 
Oil Pastel History: 1947 Picasso Convinced Henri Sennelier, a French manufacturer who specialized in high quality art products, to develop a fine arts version. 
In 1949 Sennelier produced the first oil pastels intended for professionals and experienced artists.

Oil Pastel TECHNIQUE: Press hard, Should look like paint, If your hand hurts, you are doing it right









Thursday, May 14, 2015

Graffiti Plaster Hands



Lesson Objective: Students will explore plaster building and oil pastels while learning about the Iconography and the Art Movement Graffiti. 

Project Requirements: 
Sketchbook: Students will complete a life size representation of their hand as a drawing. 
Their drawing should include a hand gesture, one symbol and a social/cultural message through color and symbols (Iconography)
They will finish their drawing using oil pastels
Final Project: Create a mold of your hand gesture in plaster
Using oil pastels and baby oil add pictures and symbols that represent you as an artist. 
Using knowledge gained from the year, address several principles of art: Balance, Scale,  Rhythm, Unity, Movement, Emphasis, Contrast, Pattern

CA Art Standards
1.5 Analyze the material used by a given artist and describe how its use influences the meaning of the work.
2.6 Create a two or three-dimensional work of art that addresses a social issue.
3.4 Discuss the purposes of art in selected contemporary cultures.
4.1 Articulate how personal beliefs, cultural traditions, and current social, economic, and political contexts influence the interpretation of the meaning or message in a work of art.
4.2 Compare the ways in which the meaning of a specific work of art has been affected over time because of changes in interpretation and context.
4.5 Employ the conventions of art criticism in writing and speaking about works of art.
5.2 Create a work of art that communicates a cross-cultural or universal theme taken from literature or history.

Assessment: 
Informal: Small group written critique
Formal: Artist Statement
Formal: Grading final sculpture

Modifications: 
English Language Learner: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques, group activities to check for understanding
Special Needs: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques
Accelerated Learner: Expand on skills learned to create a unique project. 
Advanced art students will be asked to increase the difficulty of their final sculpture They will also be expected incorporate more details and principles into the final project

Scaffolding adaptations: 
Students will revisit Contrast, Color, Pattern, Scale, Proportion, Movement, Rhythm  from the earlier learning. We will use similar visuals to refresh earlier learning.  Notes on Art history, Key Vocabulary and artists will be taken throughout discussions for added understanding. Creating sketchbook plans and Constructing final sculpture will be demo started in class using guided instruction.

Key Vocabulary: 
Graffiti Iconography Symbol Tagging Graffiti Five Pointz

Materials: 
Plaster 
Baby Oil
Oil Pastels
Q-tips
Markers and Graffiti machine 

DIRECT INSTRUCTION:
Day 1: Direct Instruction from PPT: 
Art Link: 
Critique: Morrison’s Grave 
What do the colors mean?
What do the symbols mean?
Teacher Models: 
Graffiti and Art History
Students take notes in their sketchbooks 
Teacher Monitors throughout discussion
Introduction: History of Graffiti and symbols in art
Graffiti is writing or drawings that have been scribbled, scratched, or sprayed illicitly on a wall or other surface, often in a public place.
Graffiti ranges from simple written words to elaborate wall paintings, and it has existed since ancient times. 
Examples date back to Ancient Egypt & Ancient Greece

Both "graffiti" and its singular form "graffito" are from the Italian word graffiato ("scratched"). 
"Graffiti" in art history: works of art produced by scratching a design into a surface. 

Spray Paint and marker pens have become the most commonly used graffiti materials. 
In most countries, marking or painting property without the property owner's consent is considered defacement and vandalism, which is a punishable crime.

1981: Fab 5 Freddy's friendship with Debbie Harry influenced Blondie's single "Rapture" 
The video featured Jean-Michel Basquiat, and offered the first glimpse of a depiction of elements of graffiti in hip hop culture. 

1980’s Keith Haring was another well-known graffiti artist who brought Pop Art and graffiti to the commercial mainstream. 

Then we saw the emergence of the new stencil graffiti genre. Some of the first examples were created in 1981

A "tag" is the most basic writing of an artist's name, it is simply a hand style. A graffiti writer's tag is his or her personalized signature.

Graffiti Artists use Iconography

Symbols in art
Works of art may not only have subject matter, they may also contain symbols. 
Iconography: the visual images and symbols used in a work of art or the study or interpretation of these      

Symbols are something represented in the work of art—an object, an action, or a pattern
Symbols can be nonrepresentational item such as a color or a line
To become a symbol, people have to adopt or accept

The cross is a symbol of Christianity, conventional symbol of suffering
The Sun as the symbol of life and strength, 
River is the symbol of eternal change and flowing
The eagle on the standard of the United States of America symbolizes strength

Check for Understanding: 
Monitor room during Pre-assessment in sketchbook
Monitor throughout discussion to be sure notes are being taken 
Presentation assessment

Small Group Art Activity: 
Artists will receive their graffiti artist and their bullet points
With this information they will research/determine/present the piece of art that best reflects the artist overall
They will present a critique of this artwork
The artwork must be street art, must have a symbol and message

Day 2: Art Activity: Artists will receive their graffiti artist and their bullet points
With this information they will research/determine/present the piece of art that best reflects the artist overall
They will present a critique of this artwork
The artwork must be street art, must have a symbol and message
Banksy
Margaret Kilgallen (Meta)
Shepard Fairey
Jean-Michel Basquiat
Keith Haring
Barry McGee (Twist)
Os Gemeos
Kaws

Artist: Margaret Kilgallen
Born in 1967 in Washington, DC
Received her BA in printmaking from Colorado College in 1989. 
Early experiences as a librarian and bookbinder contributed to her encyclopedic knowledge of signs, drawn from American folk tradition, printmaking, and letterpress. 
Kilgallen had a love of “things that show the evidence of the human hand.” 
She created room-size murals that recall a time when personal craft and handmade signs were the dominant aesthetic. 
Strong, independent women—walking, surfing, and biking—are featured in the artist’s compositions. 
Kilgallen’s work was presented at UCLA Hammer Museum. 
She died in June 2001 in San Francisco, where she lived with her husband, Barry McGee.
Graffiti Name: Meta 

Artist: Barry McGee
Barry McGee was born in 1966 in California
Lives and works in SF
In 1991, he received a BFA in painting and printmaking from the San Francisco Art Institute. His drawings, paintings, and mixed-media installations are inspired from urban culture
Incorporates elements like empty bottles, spray-paint cans, tagged signs, wrenches, & metal. 
McGee is also a graffiti artist, since the 1980s, where he is known by the tag name “Twist.” 
He views graffiti as a vital method of communication
Graffiti provides a larger/diverse  audience than the traditional museum. 
His trademark icon, a male caricature with sagging eyes and a bemused expression, recalls the homeless people and transients who call the streets their home. 
His work has been shown at San Francisco Museum of Modern Art and on streets and trains all over the United States. 

Artist: Kaws  (1974-      )
Brian Donnelly was born in Jersey City, New Jersey. 
He is best known as the artist KAWS. 
While living in Jersey City, KAWS began his career as a graffiti artist. 
He graduated from the School of Visual Arts in NY in 1996 with a BFA in illustration. 
Worked for Disney as a freelance animator. 
He made a name out of designing limited edition toys and clothing. 
He is also a world-renowned artist who exhibits in museums and galleries internationally. 
KAWS moved beyond the exclusive art market to occupy a more complex global market.
KAWS has designed for well-known companies such as Nike, Vans
In the early 2000s he also reworked familiar characters from: The Simpsons, Mickey Mouse and even SpongeBob SquarePants.
One of the more popular KAWS sculpture is based on the Mickey Mouse whose face is obscured by his both hands. 
The image was incorporated into a balloon for the 2012 Macy’s Thanksgiving Day Parade.

Artist Banksy (1974–       )
Bristol, England, United Kingdom
Banksy is the pseudonym of a "guerrilla" street artist known for his controversial, and often politically themed, stenciled pieces.
Banksy, a street artist whose identity remains unknown, 
He rose to prominence for his provocative stenciled pieces in the late 1990s. 
Banksy is the subject of a 2010 documentary, Exit Through the Gift Shop, which examines the relationship between commercial and street art.
Interest in Banksy escalated with the release of the 2010 documentary Exit Through the Gift Shop. 
The film was nominated for an Academy Award
In the late '90s, he began using stencils predominantly. 
Banksy's artwork is characterized by striking images, often combined with slogans. 
His work often engages political themes, satirically critiquing war, capitalism and greed. 
Common subjects include rats, apes, policemen, members of the royal family, and children.
Banksy's work on the West Bank barrier, between Israel and Palestine, received significant media attention in 2005. 
In October 2013, Banksy took to the streets of New York City. There he pledged to create a new piece of art for each day of his 30 day residency.
“We can't do anything to change the world until capitalism crumbles. In the meantime, we should all go shopping to console ourselves.”               —Banksy

Artist: Keith Haring (1958-1990)
He grew up in Pennsylvania, the oldest of four children. 
He started to draw right away: cartoons, creating characters
He had his first public show at 19
In 1978, Keith moved to New York City to go to School of Visual Arts (SVA)
In New York he found his style.
Then Keith worked on the black pieces of paper on the subways. 
He drew in the daytime: there were always people watching, from kids to art historians.”
Keith also started showing his work in art galleries
Hundreds of people came to his first show
He wanted everyone to be able to buy his work, so he opened a new store called the Pop Shop to sell his art on posters, buttons, T-shirts, and games.
He also worked with children in schools to paint large murals with them
He made paintings and sculptures for schools and hospitals 
In 1988, Keith got AIDS. At that time, doctors could not help people with AIDS. 
Keith knew he was going to die, he kept working as hard as he could until the end. 
He also made artwork about the sickness and gave money for doctors to search for a cure.

Artist: Jean-Michel Basquiat (1960 – 1988) 
A poet, musician, and graffiti prodigy in late-1970s New York, 
Jean-Michel Basquiat had honed his signature painting style of obsessive scribbling, elusive symbols and diagrams, and mask-and-skull imagery by the time he was 20. 
“I don’t think about art while I work,” he once said. “I think about life.” 
Often associated with Neo-expressionism, 
Basquiat received massive acclaim in only a few short years, 
His drawings and paintings married text and image, abstraction, and figuration, and historical information mixed with contemporary critique.
In 1983, he met Andy Warhol, who would come to be a mentor and idol. 
The two collaborated on a series of paintings before Warhol’s death in 1987, followed by Basquiat’s own passing in 1988
The Whitney Museum of American Art held a retrospective of his art in 1992.

Artist: OSGEMEOS (1974-         ) Brazil
OsGemoos translated as “THE TWINS”, 
Gustavo and Otavio Pandolfo, have worked together since birth
As children they developed a distinct way of communicating through artistic language. 
Introduction of hip hop culture in Brazil in the 1980s, 
OSGEMEOS found a direct connection to their dynamic world and a way to communicate with the public. 
Together they explored techniques of painting, drawing and sculpture, and had the streets as their place of study.
Their graffiti overtook the streets, becoming a language of its own with so many other influences and cultures, and it is constantly evolving.
The artists utilize this combined visual language, improvisation and a sense of playfulness to create a variety of projects worldwide.
They have held numerous solo and group shows in museums and galleries in several countries 
To understand the work of OSGEMEOS, you must allow reason to be replaced by the imaginary.

Artist: Shepard Fairey  (American, b.1970) 
He is a renowned graphic artist known for the images of Andre the Giant and the word obey. 
Fairey was born in Charleston, SC, 
He used his drawings on T-shirts and skateboards. 
The artist attended Idyllwild Arts Academy in Palm Springs, CA, and graduated in 1988. 
He earned his BFA from the Rhode Island School of Design in Providence, RI, in 1992. 
Fairey held a part-time job in a skateboarding shop; good for street culture and graffiti. 
The artist was also interested in punk music, 
Soon after that, Fairey introduced his Giant pieces to the streets via Graffiti Art. 
Two of Fairey's well-known pieces are Obey (1992) and Hope (2008). 
Hope is an iconic portrait of the American president Barack Obama that Fairey produced during the 2008 American presidential campaign. 
Fairey was commissioned by Time Magazine in 2011 to design a cover for the magazine. 
The artist lives and works in Los Angeles, CA.















Saturday, February 14, 2015

Facial Proprotion and Self Expression with Frederic Bonin-Pissarro





Facial Proprotion and Self Expression with Frederic Bonin-Pissarro 

INTRODUCTION to lesson (Anticipatory set): 

Blind Contour Drawing: 
Draw the face across from you 
Grab all details Eyes, Nose, Mouth, ears, Hair, etc.
Two Minutes

Students will: Independently complete the activity
Discuss the completed activity with group members Share final drawing with group
Participate in class discussion on the activity

OBJECTIVE: Draw and shade each part of the face: Eye, Nose, Mouth, Ear. Students will gain knowledge in proportion of the face and complete a portrait using accurate proportion and self expression
Draw a face in Blind Contour for pre-assessment
Discuss and practice drawing each item of the face over five days
Practice drawing a complete portrait in pencil
Students will be able comprehend and use these terms in relation to drawing 
Pupil Cornea Highlights Shade Tint
Iris Sclera Tragus Tip Lateral side
Tear Duct Root Dorsum Columella Philtrum
Vermilion zone

CA STANDARDS: 
1.1 Analyze and discuss complex ideas, such as distortion, color theory, arbitrary         color, scale, expressive
2.1 Create original works of art of increasing complexity and skill in a variety of media that reflect their feelings and points of view.
2.2 Plan and create works of art that reflect complex ideas, such as distortion, color theory, arbitrary color, scale, expressive content, and real versus virtual. 
3.1 Identify contemporary styles and discuss the diverse social, economic, and political developments reflected in the works of art examined.
4.4 Apply various art-related theoretical perspectives to their own works of art and the work of others in classroom critiques.
5.2 Compare and contrast works of art, probing beyond the obvious and identifying psychological content found in the symbols and images.

PURPOSE: Complete an accurate self-portrait while engaged in self-expression

INSTRUCTION: 
Students will be instructed on how to draw a segment of the face each day, beginning with the eyes. They will spend half the class in instruction and half the class practicing their new skills. Over the course of six days, they will learn the eye, nose, mouth, ear, and proportions of the face. They will complete a whole portrait in pencil before beginning their self expression, self portrait inspired by the artist Frederic Pissarro. 

MATERIALS: Sketch Books Drawing Pencils
Copy Paper Tag Board 12x18
Oil Pastels

DIRECT INSTRUCTION:
Day 1: Power Point Presentation EYE: 
Opening: In sketch Books, Blind Contour Face activity
Review: Happy Mistakes make better artists
HOLDING YOUR PENCIL
Discussion: Parts of the eye
Step by step of the eye 
Try each step in sketch book
Shading Techniques
ACTIVITY: Draw second eye next to first eye use mirror
Looking at subject as you draw it
MIRROR
Draw a partners eye from your table
CLOSURE: How are you feeling about drawing eyes? 
Teacher Models: 
Step by step of the eye 
Students simultaneously draw an eye in their sketchbooks
Shading the eye using mirror and finding highlights and shades
Check for Understanding: 
Monitor room During Step by Step Modeling in sketchbook
Monitor throughout second eye and partner eye
Day 2: Power Point Presentation NOSE 
Opening: In sketch Books, 
Think Pair Share: Eye activity Power Point
DISCUSSION: The parts of the nose
Step by step of the front nose using a mirror
Try each step in sketch book
Shading Techniques
Draw second nose next to first nose
Looking at subject as you draw it
MIRROR
DISCUSSION: Step by step of side nose 
ACTIVITY: Draw four rectangles and fill them with different noses
CLOSURE: How are you feeling about drawing the nose? 
                                           Like/dislike/rules/etc.
Teacher Models: 
Step by step of the front and side nose
Students simultaneously draw a nose in their sketchbooks
Shading the nose using mirror and finding highlights and shades
Check for Understanding: 
Monitor room During Step by Step Modeling in sketchbook
Monitor throughout four nose drawing activity
Day 3: Power Point Presentation Ear
Opening: In sketch Books, Draw a nose from the visual directions
DISCUSSION: The parts of the EAR
Step by step of the ear from the front
Using a mirror
Draw your ear
As you see it from the front
Step by step of ear from the side
ACTIVITY: Draw second ear next to first ear
Draw a partners ear from your table
Try each step from the sketch book
CLOSURE: How are you feeling about drawing the mouth? 
                                           Like/dislike/rules/etc.
Teacher Models: 
Step by step of the ear from the front
Students simultaneously draw an ear in their sketchbooks
Students have a moment to try ear from the front
Step by step of the ear from the side
Students simultaneously draw a ear in their sketchbooks
Students have a moment to try ear from the side by drawing 
A partner’s ear
Shade the new ear finding highlights and shades
Check for Understanding: 
Monitor room During Step by Step Modeling in sketchbook
Monitor throughout second mouth and partner mouth

Day 4: Power Point Presentation MOUTH
Opening: In sketch Books, Draw a nose from the visual directions
DISCUSSION: The parts of the Mouth
Step by step of the mouth using a mirror
Try each step in sketch book
Shading Techniques
ACTIVITY: Draw second mouth next to first mouth
Draw two eyes, a nose and a mouth on the same plain
Time permitting: add Two ears
CLOSURE: How are you feeling about drawing the mouth? 
                                           Like/dislike/rules/etc.
Teacher Models: 
Step by step of the mouth
Students simultaneously draw a mouth in their sketchbooks
Shading The mouth using mirror and finding highlights and shades
Check for Understanding: 
Monitor room During Step by Step Modeling in sketchbook
Monitor throughout second mouth and partner mouth
Day 5: Power Point Presentation: Facial Proportion
Opening: Think-Pair-Share: facial proportion and features
DISCUSSION: Step by step of how features are placed on the 
Face based on proportion
Step-by step: Adding Hair
Visual Spacial learners: 4 quick visuals on face proportion
ACTIVITY: Students draw and shade a face (Two days)
Teacher Models: 
Step by step facial proportion
Students simultaneously draw proportion rules 
In sketchbooks
Check for Understanding: 
Monitor room During Step by Step Modeling in sketchbook
Monitor throughout second mouth and partner mouth

Day 7: Power Point Presentation: Artist: Frederic Bonin-Pissarro and 
Self-expression
Opening: Before and After: complete a blind contour sketch of the face across from you. Two minutes. 
Compare and contrast to previous Blind Contour face 
Let’s Talk about Art
Discussion on art and critique
Describe
Analyze
interpret
Art History: show work of Camille Pissarro
Impressionism movement
Father of impressionism: Monet? 
Pissarro
Frederic Bonin-Pissarro Portrait
Describe, Analyze, Interpret
Video
Artist Information
Self Expression
Self Portrait
Final Artwork assigned

PROCEDURES: Students complete a self portrait using mirrors, proportion and self expression
Step1: using a mirror and pencil, Draw a self portrait in proportion based on knowledge gained throughout previous discussions and practice. 
Step2: Complete Self Portrait using Oil Pastels and self expression