Showing posts with label stencils. Show all posts
Showing posts with label stencils. Show all posts

Tuesday, August 2, 2016

Graffiti Stencil Project



Lesson Objective: Using Stencils, create a work of art with a message based on Graffiti History. 

Key Vocabulary: 
Graffiti is writing or drawings that have been scribbled, scratched, or sprayed illicitly on a wall in  public place.
   Stencil: a thin sheet of cardboard, plastic, or metal with a pattern or letters cut out of it, used to produce   the cut design on the surface below by the application of ink or paint through the holes.
Iconography: the visual images and symbols used in a work of art or the interpretation 
Symbols are something represented in the work of art—an object, an action, or a pattern
Symbols can be nonrepresentational item such as a color or a line

Materials: 
Crayola Air Brush
Crayola Markers
Heavy paper to cut stencils 
Cutting board
xacto Knives

Focus art: Graffiti 

CA Art Standards
1.5 Analyze the material used by a given artist and describe how its use influences the meaning of the work.
2.6 Create a two or three-dimensional work of art that addresses a social issue.
3.4 Discuss the purposes of art in selected contemporary cultures.
4.1 Articulate how personal beliefs, cultural traditions, and current social, economic, and political contexts influence the interpretation of the meaning or message in a work of art.
4.2 Compare the ways in which the meaning of a specific work of art has been affected over time because of changes in interpretation and context.
4.5 Employ the conventions of art criticism in writing and speaking about works of art.
5.2 Create a work of art that communicates a cross-cultural or universal theme taken from literature or history.

Modifications: 
English Language Learner: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques
Special Needs: Handout for project, project samples, Power point with visuals, Critique for additional understanding, Demonstration of techniques
Accelerated Learner: Expand on skills learned to create a unique project. 

Scaffolding adaptations: 
Students will revisit art elements from the earlier learning. We will use similar visuals to refresh previous knowledge.  Notes on color, scale and artists will be taken throughout discussions for added understanding. Creating sketchbook plans and Constructing final project will be demo started in class using guided instruction.

Direct instruction:
Graffiti is writing or drawings that have been scribbled, scratched, or sprayed illicitly on a wall in  public place.
Graffiti ranges from written words to wall paintings, and it has existed since ancient times

Examples date back to Ancient Egypt & Ancient Greece
Both "graffiti" and its singular form "graffito" are from the Italian word graffiato ("scratched"). 
"Graffiti" in art history: works of art produced by scratching a design into a surface. 
Spray Paint and marker pens have become the most commonly used graffiti materials. 
In most countries, marking or painting property without the property owner's consent is considered defacement and vandalism, which is a punishable crime.
1981: Fab 5 Freddy's friendship with Debbie Harry influenced Blondie's single "Rapture" 
The video featured Jean-Michel Basquiat, and offered the first glimpse of a depiction of elements of graffiti in hip hop culture. 
1980’s Keith Haring was another well-known graffiti artist who brought Pop Art and graffiti to the commercial mainstream. 
Then we saw the emergence of the new stencil graffiti genre. Some of the first examples were created in 1981
Banksy starts using stencils almost exclusively by 2000
Works of art may not only have subject matter, they may also contain symbols
   
 Stencil: a thin sheet of cardboard, plastic, or metal with a pattern or letters cut out of it, used to produce the cut design on the surface below by the application of ink or paint through the holes.
Iconography: the visual images and symbols used in a work of art or the interpretation 
Symbols are something represented in the work of art—an object, an action, or a pattern

Symbols can be nonrepresentational item such as a color or a line
To become a symbol, people have to adopt or accept
The cross is a symbol of Christianity,  symbol of suffering
The Sun as the symbol of life and strength 
River is the symbol of eternal change/flowing
The eagle on the standard of America symbolizes strength
Emojis as symbols
Emoji facts: 
USA loves pizza emoji
Canada Loves poop emoji
Australia loves party symbols
Over all mostly happy faces

Project Requirements: 
Sketchbook: Students will complete a study of their stencils, repetition, overlapping, movement as a drawing. 
Their drawing should include a five symbols and a social/cultural message through color and symbols (Iconography)
They will finish their drawing using color.
Submit sketch to Morrison for Final paper
Students must create at least 5 stencils in card stock
Final Project: Using created stencils, student will use overlapping, repetition, pictures and symbols that represent you or your message as an artist. 

Using knowledge gained from the year, address several principles of art: Balance, Scale,  Rhythm, Unity, Movement, Emphasis, Contrast, Pattern





Saturday, June 18, 2011

American Impressionist landscape with Birger Sandzen



Discussion: 
Birger Sandzen and the artwork
PINES AND ASPEN, ROCKY MOUNTAIN NATIONAL PARK, COLORADO, 1929, crocker Art Museum, Sacramento, CA
Impressionism
Pointillism
light values 
stencils
matisse method of painting with scissors for stencils
pollack method of spraying paint (we will use toothbrushes)

Artist: Birger Sandzen  (5 February 1871–19 June 1954), 
he was a Swedish-American painter best known for his landscapes. 
He produced most of his work while working as an art professor at the Bethany College, Lindsborg, Kansas.[1]
A painter and printmaker, Birger Sandzén was one of the first European-trained, avant-garde artists to settle in the American heartland. 
Born in the village of Blidsberg, Sweden 
Took classes with the internationally known Swedish Impressionist painter and etcher Anders Zorn. 
In 1894, he moved to Paris to attend a painting class by Edmond François Aman-Jean and encountered firsthand the Pointillism of Georges Seurat. 
Sandzén was drawn to Kansas to teach at Bethany College
He immediately assumed a leading role in the cultural life of the Midwest, exerting enormous influence upon the development of art in Kansas and surrounding states. 
He traveled to find his subjects, not just in Kansas but extensively in the desert Southwest and Rocky Mountains of Colorado. 
This painting of Rocky Mountain National Park is a scene that the artist depicted often. 
As in much of Sandzén’s production, the subject matter of rocks, water, and trees is secondary to the artist’s expressive color and application of pigment. 
With thick areas of impasto and brushwork left evident, highkeyed colors exist side by side in full intensity, mixing optically to produce an expressive surface that celebrates both the topography depicted and the art of painting.

PROJECT: students create pointillism landscape using stencils tape resist and toothbrushes
picture landscape in your mind: trees in middle ground, mountains behind, pond in foreground
Step1: in the middle ground draw a rock shape
Step2: in the foreground draw a pond
Step3: using blue tape tear and place in your tree onto your rock in the middle ground
Step4: using poster board cut a mountain range
Step3: place mountain range on to your paper protecting all below
                tape down your painting and the mountain stencil so that they won't move during the 
                splattering
Step4: using a toothbrush and scissors spray in your sky in teh background
Step4: remove mountains paint in mountains and middle ground using the side of your medium brush like oval dots
Step5: paint in your pond using the tip of a q-tip small round dots
Step6: remove your tape from the trees using the side of your small brush add in black side brush ovals creating a birch tree
Step7: using the small point dot of the tip of your paint brush add in the leaves of the tree.
MATERIALS: 
watercolor paper and paints
q-tips
blue tape
poster board
card stock or poster board for mountain stencils







Wednesday, January 27, 2010

Overlapping, Symbols, Color and Balance with Ryan McGinness
















I showed the students the following video on your laptop/iphone:

http://www.youtube.com/watch?v=rbgJA5iSx6g&feature=player_embedded#

If this is not a possibility just print a couple of his pieces of art and watch the video to explain his work.

Discuss his artwork
his theory about mistakes
his messages in his artwork
His method of applying paint

ARTIST: RYAN MCGINNESS: 1971-
American artist,
living and working in New York City.
He grew up in the surf and skate culture of Virginia Beach, Virginia
studied at Carnegie Mellon University in Pittsburgh, Pennsylvania as an Andrew Carnegie Scholar.
During college, he worked at the Andy Warhol Museum as a curatorial assistant.
Known for his original extensive vocabulary of graphic drawings which use the visual language of public signage, corporate logos, and contemporary iconography,
McGinness creates paintings, sculptures, and environments.

PROJECT:
Use stencils to overlap and make a statement about your art
I found stencils at the doaller store and they worked great.

Step1: Large white paper
Step2: Think out your ideas in a sketch
Step3: Use oil pastels to get a hang of how they work
Step4: Begin to overlap your ideas
Step5: think about Color, balance and the visual statement you are creating

MATERIALS:
Oil pastels
Chalk Pastels
Paint
Stencils
Letter stencils
White paper

ADAPTATIONS: grades k-3
have students cut symbols out of card stock to create symbol stencils
each student could cut three and all the stencils could be shared